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ABOUT THE ARTIST

BA (Hons) Fine Art Student

I am a surrealist who endeavours to create works which eradicate the unspoken democracy implemented within the industry. Conducting collaborative workshops and experiments which allow each and every person to have access to a means of expression is imperative to my work. I want all people to be represented and their stories to be told. I founded Commissioner Cat with a mission to give others a taste of what goes on in both my own and my subjects minds; perspective is a wondrous means of exploration, and narrating such in a juxtaposed manner is essential in the making of my work. 


Take some time to explore the blog, read something interesting, and feel free to reach out if you would like to collaborate on a project together.

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Exhibition Floor Plan

Illustrated below is a full exhibition floor plan of how I would like to display my work, alongside mock ups created through powerpoint...

Updated ART 280 NLP Semester 2

What interests or drives you? ~ In regards to updating my NLP with what interests and drives me, there will be a continuation of...

'Aquatic.'

Mediums - Ink, Acrylic, Pearlescent Pigment, sand & Expanding Foam On Canvas Why is the piece titled 'Aquatic.' - The piece is titled...

Online Shaun Crit Reflection

Seeing the artworks and concepts orchestrated by my class peers has been phenomenal. Although my Shaun Crit session was held online due...

Blind Drawing Workshop - In Practise

Unfortunately due to COVID I could not instigate a physical workshop with restrictions in place; however I had advertised the premises...

'Untitled' Series No. 18,19,20

The following set of series are digitally manipulated through the use of holga effects and editorial processes. I had also embarked upon...

'Untitled.' Series No. 11,12,13

A selection of images displaying a drawing I had created using a red and blue biro. I wanted to experiment with overlapping the drawings,...

'Untitled.' Series No. 14,15,16,17

Here are a selection of four print series I have composed using digital manipulation as my aid during the editorial process of the...

'Contortion.' Series No. 7

A series of Lino prints which have been digitally manipulated through the use of mirroring, layering and dissimilar technology. My work...

'Untitled.' Series' No. 8,9,10

Presented below are three series of prints illustrating various digital methods of manipulation. Employing the use of mirroring, holga...

Guided Blind Observational Painting

This is a collaborative painting composed by myself and my partner. We had allowed there to be a half hour time scale, Leon starting the...

'Colourless Dream.'

Mediums - Gesso Primed Canvas, Fine Casting Plastered Hands & Expanding Foam Why is the piece titled 'Colourless Dream.' - As the title...

'Seize Colour.'

Mediums - Fine Plaster Casted Hands, Expanding Foam, Ink, Acrylic & Spray Paint Why is the piece titled 'Seize Colour.' - During my...

Drying Flowers

Flowers collected from Mowbray park drying out. These flowers are a great asset to exhibit for two forms of stimulation for the visually...

Sensory Stimulation

Exhibiting work which stimulates as many if not all of the senses is of great importance to me. I have collected sea water and dried...

Plant Impressions

An array of impressions collected from my findings in Mowbray park. Though some of the impressions appear quite delicate by touch, some...

Clouded Iris - Finished Piece

- Just over a2 Graphite and charcoal over MDF, fixated plaster cast attached. - Illustrated below is an assemblage of photographs showing...

Interview with Elaine

Illustrated below is a video interview with a visually impaired friend, diagnosed with Macular Degeneration. Macular Degeneration (MD)...

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