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ABOUT THE ARTIST

BA (Hons) Fine Art Student

I am a surrealist who endeavours to create works which eradicate the unspoken democracy implemented within the industry. Conducting collaborative workshops and experiments which allow each and every person to have access to a means of expression is imperative to my work. I want all people to be represented and their stories to be told. I founded Commissioner Cat with a mission to give others a taste of what goes on in both my own and my subjects minds; perspective is a wondrous means of exploration, and narrating such in a juxtaposed manner is essential in the making of my work. 


Take some time to explore the blog, read something interesting, and feel free to reach out if you would like to collaborate on a project together.

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'Canyon.'

Mediums - Acrylic, Ink and Expanding Foam On Canvas Why is the piece titled 'Canyon.' - The piece is titled 'Canyon.' due to the nature...

Lino Printing Methodology

Lino printing is a relief printmaking process in which linoleum is carved into, inked up and pressed. This particular printmaking process...

'The Queen.' - Lino No. 2

Why is the piece titled 'The Queen.' - The title of the print refers to the Queen chess piece. The only piece which can move any which...

'Disparity Cat.' - Lino Print No.3

Why is the piece titled 'Disparity Cat' - This print is titled 'Disparity Cat.' due to the synonyms derived from disparity, meaning a...

'Liquid Form.' - Lino Print No. 4

Why is the piece titled 'Liquid Form.' - The title of the print narrates the liquidation of the human form, the loss of structural...

'Incorporeal.' - Lino Print No. 5

Why is the piece titled 'Incorporeal.' - The title of the print relates to the nature of incorporeal, something of which is not composed ...

'Untitled.' Series' 11,12,13

The prints displayed below have been mildly digitally manipulated through the use of hue editorial processes alongside photomontaging ....

'Untitled.' Series' 14

A series of chromatic prints digitally edited by mirroring the original, some prints overlay the adjacent print from the mirror and...

'Untitled.' Series' 9 & 10

The following set of series are digitally manipulated through the use of holga effects and hue editorial processes. I had also embarked...

'Untitled.' Series' 7 & 8

The following two series of prints portray the eye of providence within a mandala; each print has been digitally manipulated through the...

'Untitled.' Series' 4,5,6

The following series' of works are various print editorials I have prepared for a proposed exhibition. The first of the three series...

'Untitled.' Series 3

The duo of prints exhibited below are works in which I developed further into a duo series. The first had been mirrored as to create one...

'Untitled.' Series' 1 & 2

The following prints are works overlaid with masks of one another, which I have then rendered to be more opaque and later mirrored, in...

'Untitled.' - Lino Print No.10

The following collection of prints are untitled as I have yet to think of a name for them. The print illustrates an eyeball replicating...

'Untitled' - Lino Print No.9

This print is currently untitled as I have yet to think of a name of it. The print conveys a stagnant chromatic image portraying the eye...

'Kochýli.' Lino Print No. 6, 7 & 8

The Kochýli, meaning sea shell in Greek is a series of Lino prints conveying the organic, intricate dealings of the contents of a shell...

Plaster Plate Dry Point Etching

As to not waste left over materials I made a plaster plate, which I then etched into as to create a composition which is delicately...

'Untitled.' Series 15

Illustrated below are a series of digitally manipulated drawings. I had experimented with the use of the warp and swirl tool, along with...

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